Nice Chinese Girls Don't: Kitty Tsui
- Description
- Reviews
- Citation
- Cataloging
- Transcript
In Nice Chinese Girls Don’t, Kitty Tsui recounts her emergence as a poet, artist, activist, writer, and bodybuilder in the early days of the Women’s Liberation Movement in San Francisco. She narrates her experience of arriving to the States as an immigrant from Hong Kong by way of her own original poetry and stories.
Tsui wrote the groundbreaking Words of a Woman Who Breathes Fire, the first book written by an Asian American lesbian. She is considered by many to be one of the foremothers of the API, Asian Pacific Islander, lesbian feminist movement.
In 2018, APIQWTC, Asian Pacific Islander Queer Women & Transgender Community honored her with the Phoenix Award for lifetime achievement. In 2019, her alma mater, San Francisco State University inducted Tsui into the Alumni Hall of Fame. Her forthcoming books include Nice Chinese Girls Don’t, Battle Cry: Poems of Love & Resistance, and Fire Power: Poems of Love & Resilience. Tsui currently lives in Oakland, California, and is writing a screenplay, Unmasked.
"A personal manifesto and intimate portrait of a pioneering Asian American role model who was decades ahead of her time."
Donald Young, Director of Programs Center for Asian American Media (CAAM)
"I enjoyed it immensely. Inviting us into Kitty's past and present through her own words was brilliant."
Karen Yin, writer, editor
"Kitty Tsui's poetry and "On Our Backs" covers are iconic contributions to Asian American lesbian history. I am delighted that there is a film that finally gives this important figure her due as an Asian American lesbian and that also deals with the subject of aging."
Eve Oishi, Associate Professor of Cultural Studies, School of Arts and Humanities, Claremont Graduate University
Citation
Main credits
Abod, Jennifer (film director)
Abod, Jennifer (film producer)
Abod, Jennifer (screenwriter)
Tsui, Kitty (on-screen participant)
Other credits
Cinematography, Aubree Bernier-Clarke; editing, Danielle Elliott, Jennifer Abod.
Distributor subjects
Asian American; Gender; LGBTQI; Feminism; Literature; PoetryKeywords
WEBVTT
00:00:07.852 --> 00:00:10.935
(mellow Asian music)
00:00:24.127 --> 00:00:29.069
- \"Nice Chinese girls don\'t
sing, swear, or shout out loud.
00:00:30.870 --> 00:00:35.170
Nice Chinese girls talk
with their eyes averted,
00:00:35.170 --> 00:00:37.270
sit with legs crossed,
00:00:37.270 --> 00:00:40.063
and laugh with hand in front of mouth.
00:00:41.420 --> 00:00:46.420
Nice Chinese girls don\'t
drink, smoke, or talk too loud.
00:00:47.130 --> 00:00:50.580
Nice Chinese girls sip their tea slow,
00:00:50.580 --> 00:00:52.900
use umbrellas in the sun,
00:00:52.900 --> 00:00:56.290
wear skirts and perm their hair.
00:00:56.290 --> 00:01:01.003
Nice Chinese girls don\'t get
divorced or become dykes.
00:01:02.010 --> 00:01:05.950
Nice Chinese girls
marry nice Chinese boys,
00:01:05.950 --> 00:01:07.500
have sons,
00:01:07.500 --> 00:01:08.760
stay home,
00:01:08.760 --> 00:01:12.420
and keep dinner warm on the stove.
00:01:12.420 --> 00:01:17.420
Nice Chinese girls don\'t
question, argue, or complain.
00:01:17.420 --> 00:01:20.770
Nice Chinese girls suffer in silence,
00:01:20.770 --> 00:01:22.960
endure with a smile,
00:01:22.960 --> 00:01:26.760
use chopsticks and speak fluent Chinese.
00:01:26.760 --> 00:01:31.750
Nice Chinese girls don\'t
make waves or talk back,
00:01:31.750 --> 00:01:34.370
speak only when spoken to,
00:01:34.370 --> 00:01:38.140
and learn young to turn the other cheek.
00:01:38.140 --> 00:01:41.370
Nice Chinese girls don\'t stay out late
00:01:41.370 --> 00:01:44.980
or take the subway alone at night.
00:01:44.980 --> 00:01:48.240
Nice Chinese girls get straight As,
00:01:48.240 --> 00:01:49.890
never tell lies,
00:01:49.890 --> 00:01:52.483
or say what they mean.
00:01:53.350 --> 00:01:56.453
I was born a nice Chinese girl.
00:01:57.440 --> 00:02:00.947
Good thing, it was a
phase I soon outgrew.\"
00:02:02.928 --> 00:02:06.117
(mellow Asian music)
00:02:06.117 --> 00:02:09.113
\"I was born in Hong Kong in 1952.
00:02:10.110 --> 00:02:14.140
My father had worked his way
up from third mate to captain
00:02:14.140 --> 00:02:15.980
of an ocean liner,
00:02:15.980 --> 00:02:20.180
when other Asians were cooks or sailors.
00:02:20.180 --> 00:02:24.360
He and my mother left me with
my grandmother in Hong Kong
00:02:24.360 --> 00:02:27.223
when my dad went to work in England.
00:02:28.110 --> 00:02:30.480
I loved my grandmother
00:02:30.480 --> 00:02:33.203
and she loved me and spoiled me.
00:02:34.750 --> 00:02:38.170
When I was five, she put
me on a plane to Liverpool
00:02:38.170 --> 00:02:42.380
where a strange woman holding
a baby in her arms met me.
00:02:42.380 --> 00:02:44.420
That was my mother.
00:02:44.420 --> 00:02:47.740
I was the only Chinese at the school.
00:02:47.740 --> 00:02:50.663
I had to learn English really fast.
00:02:52.330 --> 00:02:55.360
When I was 11, we moved back to Hong Kong
00:02:55.360 --> 00:02:58.430
where I was one of the
few Chinese students
00:02:58.430 --> 00:03:00.683
at an elite English school.
00:03:01.850 --> 00:03:06.490
When I graduated at 16, we
immigrated to San Francisco,
00:03:06.490 --> 00:03:09.870
which had the largest
population of Chinese
00:03:09.870 --> 00:03:12.410
outside of China.
00:03:12.410 --> 00:03:15.100
My family was very conservative.
00:03:15.100 --> 00:03:17.240
I ran away from home.
00:03:17.240 --> 00:03:20.391
I never again lived with my family.\"
00:03:20.391 --> 00:03:23.391
(soft guitar music)
00:03:30.228 --> 00:03:32.277
- [Announcer] You will
disperse immediately!
00:03:32.277 --> 00:03:36.630
- \"I enrolled at State amidst
protests of the Vietnam War
00:03:36.630 --> 00:03:38.843
and the International Hotel Strike.
00:03:39.710 --> 00:03:44.270
Attending State was the
beginning of my activism
00:03:44.270 --> 00:03:47.843
and birth as an activist poet.
00:03:47.843 --> 00:03:51.720
(mellow guitar music)
00:03:51.720 --> 00:03:56.720
I came out in 1973. It was a
great time to be a lesbian.
00:03:56.800 --> 00:04:01.050
There were women owned, coffee
houses, bars, restaurants,
00:04:01.050 --> 00:04:03.680
bookstores, newspapers,
00:04:03.680 --> 00:04:06.043
women\'s music, women\'s art.
00:04:06.930 --> 00:04:09.370
I discovered the poetry of Judy Grahn,
00:04:09.370 --> 00:04:11.890
Pat Parker, and Willyce Kim.
00:04:11.890 --> 00:04:15.020
These lesbian poets wrote powerful words
00:04:15.020 --> 00:04:18.060
that impacted me tremendously.
00:04:18.060 --> 00:04:22.070
They proved that I was alive and creative,
00:04:22.070 --> 00:04:26.123
that, like them, I was a living lesbian.
00:04:31.620 --> 00:04:34.060
I was born a tough girl,
00:04:34.060 --> 00:04:39.060
survived a childhood of
abuse and abandonment,
00:04:39.230 --> 00:04:41.600
found myself through struggle,
00:04:41.600 --> 00:04:45.060
and years of free-falling through pain.
00:04:45.060 --> 00:04:47.550
I am a tough girl,
00:04:47.550 --> 00:04:52.550
wear dark, dark glasses to
hide the emotions in my eyes,
00:04:52.780 --> 00:04:57.780
build my muscles to shield
myself from pain, from feelings.
00:04:58.220 --> 00:05:00.540
I am a tough girl.
00:05:00.540 --> 00:05:03.633
Not many things make me gasp for air.
00:05:05.730 --> 00:05:07.930
To tell you the truth,
00:05:07.930 --> 00:05:09.253
since I met you,
00:05:10.260 --> 00:05:12.410
I have to tell you,
00:05:12.410 --> 00:05:15.803
your kisses make me breathless.
00:05:19.300 --> 00:05:21.750
I came out in 1973.
00:05:21.750 --> 00:05:23.480
But as a Chinese lesbian,
00:05:23.480 --> 00:05:26.320
I felt I was the only one.
00:05:26.320 --> 00:05:28.590
I felt very lonely.
00:05:28.590 --> 00:05:30.903
It was mostly a white women\'s movement.
00:05:31.960 --> 00:05:34.963
I was eroticized and exoticized.
00:05:36.010 --> 00:05:40.140
Few years later, I became
friends with Anita Onang.
00:05:40.140 --> 00:05:42.340
She worked at the women\'s press collective
00:05:42.340 --> 00:05:44.910
with other lesbians,
including Willyce Kim.
00:05:44.910 --> 00:05:48.470
Willyce and I became fast friends.
00:05:48.470 --> 00:05:52.650
And we were together as lovers
for eight and a half years.
00:05:52.650 --> 00:05:55.650
When I was young, I wanted to be white.
00:05:55.650 --> 00:05:58.030
But when I fell in love with Asian women,
00:05:58.030 --> 00:06:00.010
and they with me,
00:06:00.010 --> 00:06:01.763
that began to change.
00:06:02.800 --> 00:06:05.700
I joined a group of Asian lesbians.
00:06:05.700 --> 00:06:09.660
We talked about the difficulty
of coming out to family,
00:06:09.660 --> 00:06:11.430
cultural traditions,
00:06:11.430 --> 00:06:14.323
and we always ate great food.
00:06:18.880 --> 00:06:21.180
It was not a very formal affair.
00:06:21.180 --> 00:06:23.880
Just the family getting together.
00:06:23.880 --> 00:06:26.490
Aunts and uncles and cousins,
00:06:26.490 --> 00:06:28.660
the grandson who was a dentist,
00:06:28.660 --> 00:06:31.450
the one who drives a Mercedes-Benz,
00:06:31.450 --> 00:06:34.183
sitting down for shark\'s fin soup.
00:06:35.300 --> 00:06:37.460
They talk about buying a house
00:06:37.460 --> 00:06:40.523
and taking a two week vacation in Beijing.
00:06:41.440 --> 00:06:44.760
I suck on shrimp and squab,
00:06:44.760 --> 00:06:48.253
dreaming of the cloud scape in your eyes.
00:06:49.670 --> 00:06:54.511
My mother, her voice beaded with sarcasm.
00:06:54.511 --> 00:06:57.990
\'You\'re 26 and not getting younger.
00:06:57.990 --> 00:07:00.800
It\'s about time you got a decent job.\'
00:07:00.800 --> 00:07:04.910
She no longer asks when
I\'m getting married.
00:07:04.910 --> 00:07:05.850
One day,
00:07:05.850 --> 00:07:08.360
wanting desperately to
bridge the boundaries
00:07:08.360 --> 00:07:09.930
that separate us,
00:07:09.930 --> 00:07:12.530
wanting desperately to touch her,
00:07:12.530 --> 00:07:16.200
tell her, \'Mother, I\'m gay.
00:07:16.200 --> 00:07:18.150
Mother I\'m gay.
00:07:18.150 --> 00:07:20.207
And so happy with her.\'
00:07:21.280 --> 00:07:23.860
But she will not listen.
00:07:23.860 --> 00:07:25.553
She shakes her head.
00:07:28.030 --> 00:07:33.030
She sits across from me.
Emotions invading her face.
00:07:33.190 --> 00:07:37.913
Her eyes are wet, but she
will not let tears fall.
00:07:39.710 --> 00:07:42.620
\'Mother,\' I say,
00:07:42.620 --> 00:07:43.933
\'You love a man.
00:07:44.900 --> 00:07:46.117
I love a woman.\'
00:07:47.130 --> 00:07:49.593
It is not what she wants to hear.
00:07:50.460 --> 00:07:52.820
Aunts and uncles and cousins,
00:07:52.820 --> 00:07:55.370
very much a family affair,
00:07:55.370 --> 00:07:57.510
but you are not invited,
00:07:57.510 --> 00:08:01.720
being neither my husband nor my wife.
00:08:01.720 --> 00:08:05.730
Aunts and uncles and cousins,
eating longevity noodles,
00:08:05.730 --> 00:08:08.930
fragrant with ham, inquire,
00:08:08.930 --> 00:08:10.857
\'Sold that old car of yours yet?\'
00:08:13.350 --> 00:08:17.310
I want to tell them my back is healing.
00:08:17.310 --> 00:08:20.153
I dream of dragons and water.
00:08:21.640 --> 00:08:24.430
My home is in her arms,
00:08:24.430 --> 00:08:26.260
our bedroom ceiling,
00:08:26.260 --> 00:08:28.783
the wide open sky.
00:08:33.630 --> 00:08:36.490
Six of us formed Unbound Feet.
00:08:36.490 --> 00:08:39.180
Unbound Feet was the nucleus
00:08:39.180 --> 00:08:42.093
of the Asian-Pacific lesbian movement.
00:08:46.140 --> 00:08:49.900
I\'ve been called Sway, Su,
00:08:49.900 --> 00:08:52.750
Sui, Suzie,
00:08:52.750 --> 00:08:54.593
Tissue, and Ah-Choo.
00:08:55.620 --> 00:08:57.190
If it\'s not bad enough,
00:08:57.190 --> 00:08:58.800
it\'s in the name.
00:08:58.800 --> 00:09:01.180
It\'s also in the face.
00:09:01.180 --> 00:09:04.060
One day, a woman instructor insisted
00:09:04.060 --> 00:09:07.260
I\'ve been one of her
guest speakers in a class.
00:09:07.260 --> 00:09:08.910
She was so sure of herself
00:09:08.910 --> 00:09:12.600
she had me convinced it
was during my alcohol days
00:09:12.600 --> 00:09:14.770
when memory was gone.
00:09:14.770 --> 00:09:17.410
Jenny Lim was the speaker.
00:09:17.410 --> 00:09:20.373
Orientals, so hard to tell apart.
00:09:21.310 --> 00:09:24.880
I\'ve been called Willyce Kim, Canyon Sam.
00:09:24.880 --> 00:09:27.060
It happens all the time.
00:09:27.060 --> 00:09:30.900
A newspaper woman thought I
was Willyce Kim for months.
00:09:30.900 --> 00:09:33.650
Willyce Kim gets called Susan Kwong.
00:09:33.650 --> 00:09:36.090
Nellie Wong is made Nellie Kim,
00:09:36.090 --> 00:09:38.960
or not mentioned by name at all.
00:09:38.960 --> 00:09:40.900
It\'s in the name.
00:09:40.900 --> 00:09:43.150
It\'s in the face.
00:09:43.150 --> 00:09:47.490
Orientals, so hard to tell apart.
00:09:47.490 --> 00:09:50.560
Our faces, strong, brown,
00:09:50.560 --> 00:09:54.150
different as the bumps on
the skin of bitter melon.
00:09:54.150 --> 00:09:57.763
Our tongues, sharp and fragrant as ginger,
00:09:58.690 --> 00:10:02.870
telling our history as
Asian-American women,
00:10:02.870 --> 00:10:05.150
workers and poets,
00:10:05.150 --> 00:10:07.900
cutting the ropes that bind us,
00:10:07.900 --> 00:10:11.140
breaking from the silence of centuries
00:10:11.140 --> 00:10:14.270
to write our dreams into action,
00:10:14.270 --> 00:10:19.010
give voice to our visions and
tongues to all foreparents,
00:10:19.010 --> 00:10:21.940
who entered at Chinese hospital,
00:10:21.940 --> 00:10:26.440
or the paper sons who came
by way of Angel Island,
00:10:26.440 --> 00:10:29.830
forced to take false names.
00:10:29.830 --> 00:10:33.980
The sewing shop worker,
the secretary, the doctor,
00:10:33.980 --> 00:10:38.910
the lesbian, the boxer,
the bike messenger,
00:10:38.910 --> 00:10:40.063
the student,
00:10:40.910 --> 00:10:43.280
each with a name,
00:10:43.280 --> 00:10:46.090
each with a face.
00:10:46.090 --> 00:10:50.183
Blood, bone, breath.
00:10:54.980 --> 00:10:57.040
When I went to the first Gay Games,
00:10:57.040 --> 00:10:59.520
the physique competition,
00:10:59.520 --> 00:11:03.060
there were only two women
in the lightweight class,
00:11:03.060 --> 00:11:05.780
and they brought down the house.
00:11:05.780 --> 00:11:08.130
I said to myself,
00:11:08.130 --> 00:11:09.090
\'I\'m gonna do that.\'\"
00:11:09.090 --> 00:11:12.570
- Our next finalist is a
writer from San Francisco,
00:11:12.570 --> 00:11:13.842
Kitty Tsui.
00:11:13.842 --> 00:11:16.759
(funky rock music)
00:11:22.058 --> 00:11:25.127
♪ Moving faster than I can think ♪
00:11:25.127 --> 00:11:30.127
♪ No memory, but thinking of you ♪
00:11:31.372 --> 00:11:34.451
♪ Time is passing and I can\'t think ♪
00:11:34.451 --> 00:11:39.451
♪ No feeling, but feeling for you ♪
00:11:39.953 --> 00:11:42.983
♪ I get up and dance ♪
00:11:42.983 --> 00:11:46.214
♪ I wave my hands ♪
00:11:46.214 --> 00:11:49.126
♪ I move my feet ♪
00:11:49.126 --> 00:11:52.448
♪ I become the beat ♪
00:11:52.448 --> 00:11:53.531
♪ And I sweat ♪
00:11:53.531 --> 00:11:55.529
♪ Going through the motions ♪
00:11:55.529 --> 00:11:57.085
♪ I sweat ♪
00:11:57.085 --> 00:11:59.762
♪ I sweat, I sweat, I sweat ♪
00:11:59.762 --> 00:12:01.851
♪ Going through the motions ♪
00:12:01.851 --> 00:12:03.267
♪ I sweat ♪
00:12:03.267 --> 00:12:05.217
♪ I sweat, I sweat, I sweat ♪
00:12:05.217 --> 00:12:06.710
- \"For Gay Games too,
00:12:06.710 --> 00:12:10.420
I found a coach, trained
for only three months,
00:12:10.420 --> 00:12:12.210
and won the bronze medal.\"
00:12:12.210 --> 00:12:14.386
♪ Going through the motions ♪
00:12:14.386 --> 00:12:16.132
♪ I sweat ♪
00:12:16.132 --> 00:12:17.051
♪ Until I\'m soaking wet ♪
00:12:17.051 --> 00:12:19.983
\"I never knew what a ham I was on stage.
00:12:20.960 --> 00:12:23.990
It felt great. And I loved it.
00:12:23.990 --> 00:12:27.007
Four years later, I won a gold medal.\"
00:12:28.442 --> 00:12:30.657
♪ I walk ♪
00:12:30.657 --> 00:12:33.300
\"The award-winning
photographer, Jill Posner,
00:12:33.300 --> 00:12:36.240
asked me to pose for the
lesbian sex magazine,
00:12:36.240 --> 00:12:38.130
\'On Our Backs.\'
00:12:38.130 --> 00:12:40.320
At first I said no,
00:12:40.320 --> 00:12:42.760
but I wanted to show that beauty
00:12:42.760 --> 00:12:45.120
is in every part of a woman,
00:12:45.120 --> 00:12:48.520
triceps, biceps, calves,
00:12:48.520 --> 00:12:50.420
not just tits and ass.
00:12:50.420 --> 00:12:52.080
So I agreed,
00:12:52.080 --> 00:12:54.810
but insisted they include one of my poems
00:12:54.810 --> 00:12:57.313
to show that I wasn\'t just a body,
00:12:58.610 --> 00:12:59.803
but a writer too.
00:13:01.329 --> 00:13:04.496
(mellow guitar music)
00:13:21.370 --> 00:13:23.930
Celebrities seduced me.
00:13:23.930 --> 00:13:27.913
I was much sought after
and full of myself.
00:13:28.870 --> 00:13:33.790
But the tides turned against
me and I fell into dark days.
00:13:33.790 --> 00:13:35.920
There was a rift in the arts community
00:13:35.920 --> 00:13:37.953
when Unbound Feet split.
00:13:38.990 --> 00:13:40.990
My nude photos in On Our Backs
00:13:40.990 --> 00:13:44.230
upset some in the Asian community,
00:13:44.230 --> 00:13:47.260
and many feminists were violently upset
00:13:47.260 --> 00:13:50.623
when I came out as a
leatherwoman and wrote about it.
00:13:52.690 --> 00:13:54.853
All of this brought me a lot of pain.
00:13:55.700 --> 00:13:59.660
I left San Francisco and
moved with Vizsla, Meggy,
00:13:59.660 --> 00:14:02.410
to Chicago to heal my wounds.
00:14:02.410 --> 00:14:05.610
I began writing about
my grandmother\'s life.
00:14:05.610 --> 00:14:08.310
I had cared for her through cancer.
00:14:08.310 --> 00:14:09.770
When she died,
00:14:09.770 --> 00:14:12.330
I found a stash of photos
00:14:12.330 --> 00:14:14.888
from when she was a famous opera singer,
00:14:14.888 --> 00:14:18.138
(somber Chinese music)
00:14:20.080 --> 00:14:22.740
photos of her marriage to my grandfather,
00:14:22.740 --> 00:14:26.860
who already had two other
wives and a concubine,
00:14:26.860 --> 00:14:29.240
and photos of an actress
00:14:29.240 --> 00:14:33.230
with whom my grandmother
lived for 10 years.
00:14:33.230 --> 00:14:36.700
When I told my grandma I was a lesbian,
00:14:36.700 --> 00:14:38.643
her only words were,
00:14:39.560 --> 00:14:43.650
\'What will happen when you grow old?\'
00:14:43.650 --> 00:14:45.340
I am old.
00:14:45.340 --> 00:14:48.680
I am an old lesbian.
00:14:48.680 --> 00:14:52.440
As a child, I was called chink.
00:14:52.440 --> 00:14:54.150
As an adult,
00:14:54.150 --> 00:14:57.960
I\'ve been called chink,
bitch, dyke, faggot,
00:14:57.960 --> 00:15:00.053
old bag, and nasty woman.
00:15:01.810 --> 00:15:04.223
What do I do with my outrage?
00:15:05.920 --> 00:15:08.523
I use drink to numb my pain.
00:15:09.650 --> 00:15:12.693
Now I turn rage into writing.
00:15:19.180 --> 00:15:23.350
I look in the mirror and I
see the face of my mother
00:15:23.350 --> 00:15:25.610
looking back at me,
00:15:25.610 --> 00:15:28.300
except it\'s not my mother,
00:15:28.300 --> 00:15:29.730
it\'s my grandmother.
00:15:29.730 --> 00:15:33.870
Except my grandmother had
more white in her hair
00:15:33.870 --> 00:15:36.660
and less lines on her face,
00:15:36.660 --> 00:15:38.510
but she was 79
00:15:38.510 --> 00:15:41.550
and I only 63.
00:15:41.550 --> 00:15:43.430
How can that be?
00:15:43.430 --> 00:15:44.620
A new acquaintance,
00:15:44.620 --> 00:15:49.100
on seeing a photo of my
youthful bodybuilding days,
00:15:49.100 --> 00:15:51.537
blurts out, \'What happened?\'
00:15:53.040 --> 00:15:55.410
What does that mean exactly?
00:15:55.410 --> 00:15:56.660
What happened?
00:15:56.660 --> 00:16:00.330
It\'s simple. I\'m growing old.
00:16:00.330 --> 00:16:03.100
Am I aging with grace?
00:16:03.100 --> 00:16:07.170
I see the tops of my
thighs lined and sagging.
00:16:07.170 --> 00:16:10.720
Perfect skin, smooth as silk.
00:16:10.720 --> 00:16:14.227
All my lover said, \'Smooth as silk.\'
00:16:15.100 --> 00:16:16.560
Bare arms,
00:16:16.560 --> 00:16:18.720
a reveal of shoulders,
00:16:18.720 --> 00:16:20.030
bare breasts,
00:16:20.030 --> 00:16:22.290
as I undress her,
00:16:22.290 --> 00:16:25.170
and I reveal myself to her,
00:16:25.170 --> 00:16:27.210
a glimpse,
00:16:27.210 --> 00:16:30.260
a tease, a play,
00:16:30.260 --> 00:16:32.740
her bare arms, her shoulders,
00:16:32.740 --> 00:16:35.550
her breasts exposed to me,
00:16:35.550 --> 00:16:38.210
as I moved down her body
00:16:38.210 --> 00:16:42.010
to lick her folds and
take her clit in my mouth,
00:16:42.010 --> 00:16:45.023
to suck and savor her juices.
00:16:46.630 --> 00:16:48.800
I smell her sweat,
00:16:48.800 --> 00:16:50.520
hear her moan.
00:16:50.520 --> 00:16:52.453
Hear her moan.
00:16:53.970 --> 00:16:55.710
Perfect skin,
00:16:55.710 --> 00:16:57.463
smooth as silk.
00:16:59.100 --> 00:17:04.100
How does this translate as
one grows old with grace?
00:17:05.000 --> 00:17:07.970
I study the furrows in my forehead,
00:17:07.970 --> 00:17:10.160
the lines on my face,
00:17:10.160 --> 00:17:11.590
frown lines,
00:17:11.590 --> 00:17:13.440
scowl lines,
00:17:13.440 --> 00:17:18.400
smile lines, laugh lines, age lines.
00:17:18.400 --> 00:17:22.530
How does one grow old with grace?
00:17:22.530 --> 00:17:26.733
Teach me how to grow old with grace.
00:17:27.610 --> 00:17:29.290
Writing a poem,
00:17:29.290 --> 00:17:32.850
a word, a line, an image,
00:17:32.850 --> 00:17:35.683
elude me as suddenly as they come.
00:17:36.810 --> 00:17:40.400
Memories as elusive as a dream.
00:17:40.400 --> 00:17:44.290
How does one grow old with grace?
00:17:44.290 --> 00:17:46.973
Grandma grew old with grace.
00:17:47.930 --> 00:17:52.770
Teach me how to grow old with grace.
00:17:52.770 --> 00:17:54.750
My elders,
00:17:54.750 --> 00:17:56.700
my younger sisters,
00:17:56.700 --> 00:17:58.510
we are kin,
00:17:58.510 --> 00:18:01.830
connected by the fire of our passion,
00:18:01.830 --> 00:18:04.620
our stories of struggle,
00:18:04.620 --> 00:18:08.480
our fight against injustice, prejudice,
00:18:08.480 --> 00:18:11.280
our craving for companionship,
00:18:11.280 --> 00:18:13.383
our desire to be free.
00:18:14.740 --> 00:18:19.730
How do we old lesbians
grow old with grace?
00:18:19.730 --> 00:18:23.610
We grow old together in community,
00:18:23.610 --> 00:18:25.360
in conversation
00:18:25.360 --> 00:18:28.390
in song, in spirit,
00:18:28.390 --> 00:18:30.340
in prayer,
00:18:30.340 --> 00:18:31.760
eating together,
00:18:31.760 --> 00:18:33.520
caring for each other,
00:18:33.520 --> 00:18:36.360
cementing bonds of sisterhood,
00:18:36.360 --> 00:18:40.230
friendship, camaraderie, and love.
00:18:40.230 --> 00:18:43.990
I grew old with age and grace.
00:18:43.990 --> 00:18:48.990
We grow old with age and grace.
00:18:49.130 --> 00:18:52.849
We are age and grace.\"
00:18:52.849 --> 00:18:55.766
(soft piano music)
00:19:01.715 --> 00:19:04.882
(mellow guitar music)