Fernanda Faya uncovers her aunt’s hidden past as a queer circus wrestler,…
Dear Nancy
- Description
- Reviews
- Citation
- Cataloging
- Transcript
View on the Pragda STREAM site
Directed by Olivia Peregrino, Dear Nancy is a powerful documentary that chronicles the life and legacy of Nancy Cárdenas, a pioneering figure in Mexico’s LGBT+ rights movement. Brave, provocative, and ahead of her time, Nancy Cárdenas broke down the closet doors of a community that was invisible in 1970s Mexico, leading the fight for LGBT rights.
The film uses a rich tapestry of archival materials, personal letters, and in-depth interviews with family, friends, and colleagues to paint an intimate portrait of Cárdenas. It explores her groundbreaking activism and her relentless advocacy for sexual diversity in a conservative society. Dear Nancy also delves into her personal struggles and the societal challenges she faced as an openly lesbian woman in a repressive era.
Through its thoughtful storytelling and historical context, Dear Nancy serves as both a tribute and a call to action, urging viewers to reflect on the ongoing struggle for equality and the importance of visibility.
Citation
Main credits
Peregrino, Olivia (film director)
Peregrino, Olivia (screenwriter)
Peregrino, Olivia (film producer)
Other credits
Cinematography, Sergio Palacios; editing, Olivia Peregrino; music, Horacio Franco.
Distributor subjects
Activism; Gender + Sexuality Studies; Women; Communications + Journalism; Dance + Performing Arts; Education; North America; Latin American StudiesKeywords
00:00:03.041 --> 00:00:06.291
Well, we're talking about a Mexico
in which there were no bars
00:00:06.291 --> 00:00:09.916
and absolutely no sexual diversity.
00:00:09.916 --> 00:00:14.541
It was a time of raids. Police
would come to your home,
00:00:14.541 --> 00:00:19.250
like right now, for example. They
would come and take everyone.
00:00:19.250 --> 00:00:23.750
And the yellow press would
send out alarms and alerts.
00:00:23.750 --> 00:00:28.875
Earrings and wigs were forcibly put on
them, as well as paint on their mouth.
00:00:28.875 --> 00:00:31.750
And they would call everyone in their agendas.
00:00:31.750 --> 00:00:35.916
Some employers would fire them,
and families disowned them.
00:00:37.583 --> 00:00:40.583
Dear Nancy
00:00:41.958 --> 00:00:45.291
It is very important to mention that
Nancy Cardenas was the first woman,
00:00:46.541 --> 00:00:50.583
I think in the Americas, surely,
00:00:51.083 --> 00:00:56.166
who stood up in the International
Women's Year and said:
00:00:56.166 --> 00:01:03.291
"I am lesbian, and there are no rights
here for women who love other women".
00:01:14.125 --> 00:01:16.958
Letter by Carlos Monsivais to
Nancy Cardenas before her death
00:01:16.958 --> 00:01:23.000
Dear Nancy, I begin this story of friendship
and admiration from the beginning.
00:01:24.541 --> 00:01:26.875
(Music)
00:01:29.458 --> 00:01:33.083
I saw you for the first time in 1955
00:01:33.083 --> 00:01:36.166
in the hallways of the School of Philosophy,
00:01:36.166 --> 00:01:41.416
And your body language and your way
of speaking caught my attention.
00:01:41.416 --> 00:01:47.000
While I was timid, you,
inevitably, were a leader.
00:01:47.000 --> 00:01:51.791
Luis Prieto introduced us,
and after half hour I knew it all.
00:01:53.500 --> 00:01:55.875
(Music)
00:01:59.000 --> 00:02:02.583
You were born in 1934 in Parras,
00:02:02.583 --> 00:02:06.666
and came from a large family
of farmers and merchants.
00:02:08.583 --> 00:02:10.666
(Music)
00:02:13.208 --> 00:02:17.750
The Cardenas family is a
very nice family from Parras.
00:02:17.750 --> 00:02:22.625
And Parras is a place where
I think life is, or was, very calm,
00:02:22.625 --> 00:02:25.625
and in which everyone was so
affectionate among each other.
00:02:26.875 --> 00:02:29.875
Nancy was the youngest of eight siblings.
00:02:29.875 --> 00:02:36.000
Five brothers and three sisters.
00:02:36.500 --> 00:02:39.333
She told me that when she was in school
she was the first one to get there
00:02:39.333 --> 00:02:45.458
and would sit in at the edge of the sidewalk
waiting for the school to open.
00:02:46.833 --> 00:02:53.541
Given that we had no electricity
after eleven at night in Parras,
00:02:53.541 --> 00:02:57.291
Nancy, who was very studious,
00:02:57.291 --> 00:03:06.083
would grab a small lamp and continue reading.
00:03:06.083 --> 00:03:09.041
The reality of those times
was that women did not study,
00:03:09.041 --> 00:03:14.166
and if they did study, they would study
to become the mothers of the future,
00:03:14.166 --> 00:03:18.333
or cooks, and similar roles,
00:03:18.333 --> 00:03:22.125
and Nancy did not buy into that idea.
00:03:22.125 --> 00:03:26.708
Nancy believed that men
and women were equal
00:03:26.708 --> 00:03:31.250
and that both had equal rights
and freedoms in all aspects.
00:03:31.250 --> 00:03:35.250
Daughter of Matias Cardenas
and Esperanza Martinez,
00:03:35.250 --> 00:03:37.666
from the state of Nuevo Leon,
00:03:37.666 --> 00:03:42.875
from a young age, she had been
characterized for her leadership
00:03:42.875 --> 00:03:45.333
that made her unique.
00:03:45.333 --> 00:03:48.333
She was liberal minded since she was a girl.
00:03:48.333 --> 00:03:51.958
Well, liberal, let's say that
she made her own decisions.
00:03:51.958 --> 00:03:56.625
Well, liberal, let's say that
she made her own decisions.
00:03:56.625 --> 00:04:02.041
In the 50's, Nancy's first
publications in poetry
00:04:02.041 --> 00:04:07.208
and opinion column were issued by
"El Popular," a local newspaper
00:04:07.208 --> 00:04:10.916
that is still active today in Parras.
00:04:10.916 --> 00:04:14.500
Ever since I learned to do rhymes
00:04:14.500 --> 00:04:18.083
and octosyllabic verses in the ninth grade,
00:04:18.083 --> 00:04:19.458
I became fascinated with them.
00:04:19.458 --> 00:04:25.375
I would dedicate quarters and calavera
poems to people in my family.
00:04:25.375 --> 00:04:29.583
I wrote some of these
out of emotions
00:04:29.583 --> 00:04:31.833
that emerged after taking a trip,
00:04:31.833 --> 00:04:35.041
something special, or a personal feeling.
00:04:35.041 --> 00:04:38.041
So I began to do some free write poetry
00:04:38.041 --> 00:04:41.916
when I was fifteen or sixteen years old,
00:04:41.916 --> 00:04:43.833
and I published my work in "El Popular",
00:04:43.833 --> 00:04:46.083
the small newspaper in Parras, Coahuila.
00:04:46.083 --> 00:04:52.125
She left to Celaya because she had
a brother there. He was a salesman.
00:04:52.125 --> 00:05:02.125
Then she came to Mexico City, and this
is where she really began her life.
00:05:02.125 --> 00:05:08.000
It was interesting because the grandparents
planned for Nancy to become a doctor,
00:05:08.000 --> 00:05:11.916
and she was interested in that too.
00:05:11.916 --> 00:05:16.791
In fact, she went into med school directly,
and there were no issues in her first semester.
00:05:16.791 --> 00:05:19.500
But things changed in the second semester.
00:05:19.500 --> 00:05:22.500
I am not sure , but from what
I have heard from others,
00:05:22.500 --> 00:05:25.916
and from what she said herself,
00:05:27.583 --> 00:05:32.791
her career in medicine came to an end
when she saw corpses.
00:05:32.791 --> 00:05:34.958
She fainted.
00:05:34.958 --> 00:05:39.916
I wanted to be a teacher at
first, and then a doctor.
00:05:39.916 --> 00:05:44.083
Then, I wanted to focus on nutrition
00:05:44.083 --> 00:05:48.250
and, finally, I enrolled
at the national university
00:05:48.250 --> 00:05:52.416
for a Masters in Spanish Letters.
00:05:52.416 --> 00:05:56.583
It was there where Hector
Mendoza and Jose Luis Ibanez
00:05:56.583 --> 00:06:02.000
talked to me about theater
and I switched careers.
00:06:04.958 --> 00:06:07.958
(Music)
00:06:15.458 --> 00:06:17.791
Being born in Parras, Coahuila,
00:06:17.791 --> 00:06:21.375
and rejecting the dominant
traditions of the era,
00:06:21.375 --> 00:06:24.666
and coming to Mexico City
to study drama
00:06:24.666 --> 00:06:29.125
and quickly joining a group
consisting of actors,
00:06:29.125 --> 00:06:34.291
playwriters, novelists,
scholars, leftist activists,
00:06:34.291 --> 00:06:37.833
and gays and a few lesbians.
00:06:41.125 --> 00:06:43.541
(Music)
00:06:47.708 --> 00:06:52.375
So Nancy grew up in this environment
00:06:52.375 --> 00:06:58.125
combined with a political bearing
that she had from a young age.
00:06:58.125 --> 00:07:00.958
She was always interested in social issues,
00:07:00.958 --> 00:07:07.833
and at a moment in her life she
joins the Mexican Communist Party.
00:07:07.833 --> 00:07:15.166
Well, she was always very active and
took part in many social movements.
00:07:15.166 --> 00:07:17.708
As soon as she joined the School
of Philosophy and Letters
00:07:17.708 --> 00:07:20.791
she ran to become a student representative.
00:07:24.958 --> 00:07:30.375
She became quite popular very soon.
She was always popular.
00:07:30.375 --> 00:07:34.958
She didn’t know how to be
solitary and reclusive.
00:07:34.958 --> 00:07:39.333
That's not all. She always communicated
with the whole community,
00:07:39.333 --> 00:07:43.458
and I think that in less than two months,
00:07:43.458 --> 00:07:46.875
everybody in the school knew
who Nancy Cardenas was.
00:07:46.875 --> 00:07:49.875
I remember when I was in Philosophy.
She was going out with Beatriz Bueno,
00:07:49.875 --> 00:07:53.708
also known as Bebu. Beatriz Bueno.
00:07:53.708 --> 00:07:58.458
And everyone knew that Nancy and
Beatriz were a couple. Everyone knew.
00:07:58.458 --> 00:08:03.708
This was a respected and very famous
couple in Philosophy and Letters.
00:08:03.958 --> 00:08:10.500
Well, we knew it superficially
but we didn’t talk about it,
00:08:11.208 --> 00:08:13.750
because that is how things were.
00:08:13.750 --> 00:08:20.916
There were no freedoms of expression.
00:08:20.916 --> 00:08:22.750
What happened was that
she was also careful.
00:08:22.750 --> 00:08:28.416
She was part of the Communist Party,
which was very homophobic,
00:08:28.416 --> 00:08:32.916
so there were strong battles
within the Communist Party.
00:08:32.916 --> 00:08:36.666
Carlos Monsivais, Luis Prieto, her,
and another group of people...
00:08:36.666 --> 00:08:41.500
a very strong movement against homophobia
and close-mindedness in the Party.
00:08:41.916 --> 00:08:45.333
Even though the whole world knew,
00:08:45.333 --> 00:08:50.958
Nancy was careful because she could have
been removed from the Communist Party.
00:08:50.958 --> 00:08:53.375
She did it out of prudency, not cowardice,
00:08:53.375 --> 00:08:56.041
and also because she was committed
to the Communist Party.
00:08:56.041 --> 00:08:58.708
She believed in communism, and
had faith in the party,
00:08:58.708 --> 00:09:02.750
so out of strategic motives
she chose not to come out.
00:09:03.000 --> 00:09:12.791
Her restlessness was representative,
in a positive way,
00:09:12.791 --> 00:09:20.875
of the intuitive impulses of her generation,
00:09:20.875 --> 00:09:26.541
and of the paths that were opened
for future generations
00:09:26.541 --> 00:09:37.416
who became more openly
manifest in the 60's,
00:09:37.416 --> 00:09:41.333
when the youth became disinhibited.
00:09:41.791 --> 00:09:44.500
She streamed many series on Radio UNAM.
00:09:44.500 --> 00:09:48.791
She was a pioneer of the
cultural university television,
00:09:48.791 --> 00:09:53.041
in which she became known
as the University Girl.
00:09:53.041 --> 00:09:57.666
She immediately showed her acting skills
00:09:58.458 --> 00:10:02.166
with a huge advantage given that
she was already working
00:10:02.166 --> 00:10:05.875
in many areas of the profession.
00:10:06.375 --> 00:10:11.875
And just like that, newly arrived Nancy
found a new occupation.
00:10:12.958 --> 00:10:18.541
Let's begin by looking back
at a radio commercial,
00:10:18.541 --> 00:10:21.166
written by author Salvador Novo,
00:10:21.166 --> 00:10:25.000
for which you used your marvelous voice.
00:10:25.000 --> 00:10:30.041
Right. Rinse, wring and hang.
00:10:30.583 --> 00:10:36.750
It was Salvador Novo's wisdom
that open the way
00:10:36.750 --> 00:10:41.000
for the introduction of detergents
00:10:41.000 --> 00:10:43.625
in the late 40's, early 50's.
00:10:43.625 --> 00:10:48.125
They were a modern and
different type of resource.
00:10:48.125 --> 00:10:51.125
But I had recently moved from the North
00:10:51.125 --> 00:10:54.250
and still had a strong Northern accent.
00:10:55.250 --> 00:11:00.333
So, the production company
trained me for the commercial.
00:11:00.333 --> 00:11:05.833
This training lasted 3 or 4 months.
00:11:05.833 --> 00:11:09.583
The voices of the voiceovers
advertising the products
00:11:09.583 --> 00:11:13.000
was more important than
those of the actors.
00:11:13.000 --> 00:11:16.416
Therefore, this was a very
special formation for me.
00:11:16.416 --> 00:11:20.750
Recordings were in their early stages.
00:11:20.750 --> 00:11:27.333
The programs were done live,
and we would all get very nervous.
00:11:27.333 --> 00:11:31.625
It was a difficult job because
we had to do it live
00:11:31.625 --> 00:11:35.583
and for national radio on XEW Station.
00:11:35.916 --> 00:11:38.208
Being a voiceover was an experience
that vitalized me very much.
00:11:38.208 --> 00:11:39.875
But, more than anything,
00:11:39.875 --> 00:11:44.583
it allowed me to sustain myself
during my first two years of college.
00:11:47.083 --> 00:11:49.083
(Music)
00:11:57.666 --> 00:12:03.166
You studied drama and you wanted to
be a director, a writer, an actress...
00:12:13.791 --> 00:12:21.125
She was interested in everything
and was a go-getter.
00:12:21.125 --> 00:12:23.666
She had that gift.
00:12:23.666 --> 00:12:28.125
Then, I witnessed how she,
00:12:28.125 --> 00:12:32.583
insistent on studying while also preparing
00:12:32.583 --> 00:12:38.166
to become a writer and actress,
00:12:38.166 --> 00:12:42.125
was active in all aspects of theater.
00:12:42.125 --> 00:12:46.500
Being beside her motivated and agitated me.
00:12:46.500 --> 00:12:54.291
And it wasn't just that; she catalyzed
what was inside of me, which was a lot.
00:12:54.583 --> 00:12:58.875
Nancy Cardenas belongs to a generation
00:12:58.875 --> 00:13:01.833
that developed at the Autonomous
Nacional University of Mexico,
00:13:01.833 --> 00:13:07.958
a generation of directors and escenic
creators, actors, and playwriters.
00:13:07.958 --> 00:13:15.458
Specifically, Nancy belongs to the first
generation based at the university's campus.
00:13:15.458 --> 00:13:19.916
This is a moment of transition in Mexico City,
00:13:19.916 --> 00:13:26.916
in which the University that has a long history
of being located in downtown Mexico City,
00:13:26.916 --> 00:13:35.625
moves to this new campus that project an image
of modernity and a different Mexico.
00:13:35.625 --> 00:13:41.500
Nancy and I lived very close to
each other, a few blocks away,
00:13:41.500 --> 00:13:47.375
in the same neighborhood, in Narvarte.
00:13:47.375 --> 00:13:50.250
So I would visit often...
00:13:50.250 --> 00:13:55.958
Well, we would almost always
commute to campus together.
00:13:55.958 --> 00:14:01.416
This also coincides with a movement
that would become Spoken Word,
00:14:01.416 --> 00:14:03.208
which is not a movement but a group.
00:14:03.208 --> 00:14:10.333
But it started with this group led
by Jose Arreola and Octavio Paz,
00:14:10.333 --> 00:14:16.500
and it also includes other artists
like Juan Soriano in stage design,
00:14:16.500 --> 00:14:19.000
and Leonora Carrington also joins.
00:14:19.000 --> 00:14:22.916
Ultimately, this group will spark a movement
00:14:22.916 --> 00:14:27.458
that will lay the foundations
of the new stage language.
00:14:27.458 --> 00:14:36.583
All of us there realized that we
were joined by a common desire.
00:14:36.583 --> 00:14:40.708
We didn't want to do literature.
We didn't want to do recitals.
00:14:40.708 --> 00:14:45.916
We didn't want to do any
of the things new groups do,
00:14:45.916 --> 00:14:48.041
because we didn't know how.
00:14:48.041 --> 00:14:54.083
Theater, in particular, was something
we all really wanted to do,
00:14:54.083 --> 00:14:59.250
in different aspects and to different
degrees, but we didn't know how.
00:14:59.250 --> 00:15:05.291
I tell you this because that is when
Nancy came in who, in contrast,
00:15:05.291 --> 00:15:10.625
was learning theater through
study and application.
00:15:10.916 --> 00:15:19.708
And it was very impressive to see how poetry
was turned into theatrical performances.
00:15:20.958 --> 00:15:28.666
And she really got people moving.
Even poets and speakers were inspired.
00:15:28.666 --> 00:15:35.125
They would recite their own poems but
they would also read other classic poems
00:15:35.125 --> 00:15:39.958
from Mexican modernism,
such as Juan de Dios Peza.
00:15:39.958 --> 00:15:43.458
"Wring the neck of the lying featured swan..."
00:15:43.458 --> 00:15:50.500
I remember Juan Arreola would say:
"Wring the neck of the lying feathered swan".
00:15:50.500 --> 00:15:55.291
It was incredible, and Cardenas
would shine also there
00:15:55.291 --> 00:15:59.250
for she had an extraordinary
voice for reciting.
00:15:59.250 --> 00:16:02.625
That trajectory alone made
Nancy Cardenas very important.
00:16:02.625 --> 00:16:07.250
Not only that; she was the only
woman in that university theater
00:16:07.250 --> 00:16:11.041
and the only female director.
00:16:11.041 --> 00:16:19.166
So it was like a seed was planted
on very fertile Mexican land
00:16:19.166 --> 00:16:27.500
where little effort was needed
for the soil to produce crops.
00:16:27.500 --> 00:16:34.250
That is how it happened and it was an intense
moment, as productive as it was brief.
00:16:37.916 --> 00:16:40.916
(Music)
00:16:46.375 --> 00:16:50.541
Soon after Nancy Cardenas
graduated from her career,
00:16:50.541 --> 00:16:53.333
in the School of Philosophy and Letters,
00:16:53.333 --> 00:16:58.000
she began working on
important theater activity.
00:16:58.000 --> 00:17:00.250
But then she suddenly stopped.
00:17:00.250 --> 00:17:06.208
It is thought that she had
a strong disagreement
00:17:06.208 --> 00:17:11.291
with the then coordinator
of UNAM theater,
00:17:11.291 --> 00:17:14.833
Hector Azar,
00:17:14.833 --> 00:17:20.708
and this happened during a very strange
moment in cultural history,
00:17:20.708 --> 00:17:25.250
given that he was not only the
coordinator at UNAM theater,
00:17:25.250 --> 00:17:26.750
but also the director of the
National Institute of Fine Arts.
00:17:27.166 --> 00:17:30.958
So they had a confrontation at some point.
They had a major disagreement.
00:17:31.458 --> 00:17:35.000
Nancy ends up leaving theater.
00:17:35.375 --> 00:17:39.583
Somewhere she stated that she left willingly
00:17:39.583 --> 00:17:42.875
as a way to protest against the power
00:17:42.875 --> 00:17:49.208
exerted by Hector Azar in Mexico City theater.
00:17:50.291 --> 00:17:52.083
So Nancy Cardenas distanced
herself from theater
00:17:52.083 --> 00:17:55.083
and became a lot more involved in film,
00:17:55.083 --> 00:17:58.250
which is something she was also
interested in, along with radio.
00:17:58.458 --> 00:18:05.375
Meanwhile, as we were approaching
the end of the decade,
00:18:05.375 --> 00:18:13.333
she would tell me that she was deciding
not only to move to the United States,
00:18:13.333 --> 00:18:19.708
but also to apply to study film in Poland.
00:18:20.000 --> 00:18:24.791
So Nancy couldn't stay the three years
there, she only endured one year,
00:18:24.791 --> 00:18:29.333
because the cold was truly impossible.
00:18:29.333 --> 00:18:35.333
So when she came back after 1 year and
a half later, she went back for her dog,
00:18:35.333 --> 00:18:41.166
but the dog became so used
to her friend's house.
00:18:41.166 --> 00:18:44.333
Well, that hurt Nancy a lot,
and she didn't take her.
00:18:44.333 --> 00:18:48.833
When she came back sooner
than expected, I told her:
00:18:48.833 --> 00:18:55.250
"Nancy, look at how ideologies
change with the weather".
00:18:55.250 --> 00:19:00.291
But I was evidently joking with her,
she wasn't surrendering to anything.
00:19:00.291 --> 00:19:04.458
Instead, she went on and on, with
the passion that distinguished her,
00:19:04.458 --> 00:19:10.208
but now ever more focused
00:19:10.208 --> 00:19:15.541
on the ideas that mattered to her
in relation to this country.
00:19:15.958 --> 00:19:20.000
At six years of age, before reading,
before knowing how to read,
00:19:20.000 --> 00:19:22.208
I saw my first movie,
00:19:22.208 --> 00:19:24.166
in my state's capital, in Saltillo.
00:19:24.166 --> 00:19:25.541
Which was it?
00:19:25.541 --> 00:19:32.208
It was an English movie, where the
British Empire subdued the Hindus.
00:19:32.208 --> 00:19:35.666
And I felt as part of the those in salakots
00:19:35.666 --> 00:19:37.875
who were fighting the ones in turbans,
00:19:37.875 --> 00:19:40.583
despite the fact that having my skin color,
00:19:40.583 --> 00:19:43.458
and being from Parras,
and from this continent,
00:19:43.458 --> 00:19:47.583
I could have identified my fight more
accurately those with the turbans.
00:19:48.208 --> 00:19:54.833
As the years went by, I realized
that we were victims, in many ways,
00:19:54.833 --> 00:20:00.750
of ideological contents disguised as emotions
00:20:00.750 --> 00:20:03.875
that seemed to not have a political root.
00:20:03.875 --> 00:20:11.291
So when I warned about this,
I decided to denounce it.
00:20:11.291 --> 00:20:16.500
So I spend some ten or
fifteen years of my life
00:20:16.500 --> 00:20:18.958
focused on the critique of cinema
00:20:18.958 --> 00:20:25.333
and to the promotion of cinema
as an act, as cultural spectacle.
00:20:26.291 --> 00:20:30.916
This career culminated with the opportunity
00:20:30.916 --> 00:20:34.541
that Pecime and Conacine gave me
00:20:34.541 --> 00:20:39.416
to make a historical tape,
an anthological tape
00:20:39.416 --> 00:20:41.541
with the history of Mexican cinema,
00:20:41.541 --> 00:20:49.416
in which I summarized my
experience as a girl, as a cinephile,
00:20:49.416 --> 00:20:54.041
even having watched some 120 movies,
00:20:54.041 --> 00:21:00.125
from which I chose 90 fragments
to make this montage.
00:21:00.750 --> 00:21:05.750
And there were many wonderful
interviewees, like Sara Garcia.
00:21:05.750 --> 00:21:10.916
And Nancy would make wonderful
jokes that no one would imagine.
00:21:10.916 --> 00:21:14.750
For example, while interviewing Sara Garcia,
00:21:14.750 --> 00:21:20.583
who during this time was working in the
Fabregas theater on The Red Riding Hood,
00:21:20.583 --> 00:21:23.666
we interviewed her and she
talked about Pedro Infante,
00:21:23.666 --> 00:21:34.208
but Nancy sat her lifelong female
lover, Rosarito, behind her.
00:21:34.208 --> 00:21:38.291
As director of theater,
00:21:38.291 --> 00:21:46.000
let's say its the 70's when Nancy started
her career as a professional director,
00:21:46.000 --> 00:21:52.666
what she did in the 60's were like first trials,
00:21:52.666 --> 00:21:56.333
and in the 70's her professional career begins,
00:21:56.333 --> 00:22:01.125
that's going to continue for
the whole decade and the next.
00:22:01.291 --> 00:22:07.416
Ever since my high school teacher
taught me that history is never complete,
00:22:07.416 --> 00:22:10.958
and that I could make history,
00:22:10.958 --> 00:22:17.000
I've dedicated myself to use
that right and that obligation.
00:22:17.000 --> 00:22:21.666
And I have participated in
many national events.
00:22:21.666 --> 00:22:25.375
But after The Movement of '68,
00:22:25.375 --> 00:22:29.583
having come out alive from what happened
at the Square of Three Cultures,
00:22:29.583 --> 00:22:35.541
I decided to change my technique
and tactics of fighting,
00:22:35.541 --> 00:22:38.333
and chose the stage.
00:22:38.333 --> 00:22:41.541
After a year and a half of
being depressed, I got better.
00:22:41.541 --> 00:22:45.208
That's why I consider myself
part of the generation '68,
00:22:45.208 --> 00:22:49.250
because I stepped in the
floors of hell that year,
00:22:49.250 --> 00:22:53.166
and because of the distrust I had
in my country's direction
00:22:53.166 --> 00:22:56.583
and in my own inability to communicate.
00:22:56.583 --> 00:23:00.916
After that, after that blow in which
my perception of the country changed,
00:23:00.916 --> 00:23:03.208
the image I had of myself changed,
00:23:03.208 --> 00:23:10.625
I started to shoot plays like
others shoot machine gun bullets.
00:23:11.083 --> 00:23:18.458
I can remember among the most important works
was Fassbinder's The Bitter Tears of Petra von Kant.
00:23:18.458 --> 00:23:26.416
We first saw the movie and we became fascinated
with German cinema and Fassbinder's prowess.
00:23:26.416 --> 00:23:31.125
Nancy made the adaptation and
it was played here in El Granero,
00:23:31.125 --> 00:23:34.583
with Beatriz Sheridan, and
the play took all the awards.
00:23:34.583 --> 00:23:37.916
On top of directing, Nancy also acted,
00:23:37.916 --> 00:23:42.083
and, well, I was always there
supporting her with everything.
00:23:42.083 --> 00:23:47.333
Let's say that Nancy's theater
can be divided in two big interests.
00:23:47.333 --> 00:23:57.083
On one side, there is her interest
as a feminist and as a lesbian.
00:23:57.083 --> 00:24:03.125
to make her position present before life.
00:24:03.125 --> 00:24:08.625
And on the other hand, there is
a very strong position
00:24:08.625 --> 00:24:13.833
of making the theater a means,
00:24:13.833 --> 00:24:17.833
an activity that can be economically profitable.
00:24:17.833 --> 00:24:19.750
And that was hard. It was hard.
00:24:23.000 --> 00:24:27.541
First, because she didn't want her reputation
to be associated with the work she did
00:24:27.541 --> 00:24:31.500
and end up cornered in a
niche as a lesbian creator.
00:24:31.500 --> 00:24:39.500
She was a creator, a women that made plays,
that wrote poetry, that made politics.
00:24:40.208 --> 00:24:45.458
And the coming out and saying
I am a gay or I am a lesbian,
00:24:45.458 --> 00:24:52.333
was like attracting the stigma not only
to the person, but to the play.
00:24:52.958 --> 00:24:55.875
If you check out Nancy's curriculum,
00:24:56.500 --> 00:25:04.250
the plays that she made at her own risk,
and that she brought from England,
00:25:04.250 --> 00:25:08.333
were plays that turned England itself on its head.
00:25:09.166 --> 00:25:15.625
She would pick the best plays, in the best
venues, with the best productions.
00:25:15.625 --> 00:25:20.666
Just opening the stage curtains
made people applaud.
00:25:20.666 --> 00:25:23.375
Such was the quality of the production.
00:25:23.375 --> 00:25:28.208
At the end of the play, the audience
would give standing ovations
00:25:28.208 --> 00:25:34.375
as a form of gratitude for the gift of
the play, for the play changed them.
00:25:34.375 --> 00:25:39.166
Her plays were cathartic,
important, and intelligent.
00:25:39.500 --> 00:25:44.125
They are plays that Mexico wouldn't have
known if she hadn't brought them.
00:25:44.125 --> 00:25:50.833
In fact, some of them were rejected
for their daring ideology.
00:25:50.833 --> 00:25:55.625
or for their lurid reputation.
00:25:56.916 --> 00:25:58.416
(Music)
00:26:00.125 --> 00:26:03.958
1968 changed you and boosted your activism.
00:26:05.166 --> 00:26:11.375
I remember a dinner in 1969 where we
talked about what happened in New York,
00:26:11.375 --> 00:26:14.583
in Greenwich Village, in Stonewall bar.
00:26:14.583 --> 00:26:17.875
The police tried another of their raids
00:26:17.875 --> 00:26:24.333
but with a truly historic resolve the
gays and lesbians didn't succumb.
00:26:24.333 --> 00:26:29.833
The gay liberation movement was
surging and you were excited.
00:26:33.708 --> 00:26:41.791
In 1970, after the blunt of the movement of
gay liberation in New York and in London,
00:26:41.791 --> 00:26:53.541
Carlos Monsivais was a lecturer at
the University of Sussex, near London.
00:26:53.541 --> 00:27:02.875
And in that university, he came in contact
with the Gay Liberation Front of England.
00:27:02.875 --> 00:27:10.791
Well, Nancy Cardenas started
to make a web of information
00:27:10.791 --> 00:27:17.708
with the movements that were being
generated in the United States, in London,
00:27:17.708 --> 00:27:21.125
in different parts of the world,
and also in Latin America,
00:27:21.125 --> 00:27:28.916
about the strategies that the gay movements
around the world were applying
00:27:28.916 --> 00:27:35.041
to unite as a front and demand human rights.
00:27:35.041 --> 00:27:40.750
There was an incident that we are not
sure it was real or an urban myth.
00:27:40.750 --> 00:27:47.250
There was an unjustified termination
of an acquaintance in Sears,
00:27:47.250 --> 00:27:49.791
they fired him for being gay.
00:27:49.791 --> 00:27:55.125
So Nancy met with him, and he tells her,
00:27:55.125 --> 00:27:59.291
and indignation surges.
00:27:59.291 --> 00:28:07.875
She was energized mostly by this spirit of that time
that was already there for gay liberation.
00:28:07.875 --> 00:28:17.291
And then, in that moment, a
package comes from London
00:28:17.291 --> 00:28:22.625
with information and flyers from
the Gay Liberation Front of England.
00:28:22.625 --> 00:28:27.916
It was fascinating to read
these types of documents
00:28:27.916 --> 00:28:32.750
and have that type of materials
on topics of dignity,
00:28:32.750 --> 00:28:40.000
about dignity, the liberation
of gays and lesbians.
00:28:40.000 --> 00:28:44.083
In that moment, that binomial
was all that was thought of.
00:28:44.083 --> 00:28:49.750
So a decision is made: to form a front
for gay liberation in Mexico.
00:28:49.750 --> 00:28:52.291
And the seed is planted by Nancy.
00:28:54.708 --> 00:28:56.750
(Music)
00:29:03.500 --> 00:29:12.000
And so Nancy is then turned in type
focal point for all the documentation,
00:29:12.000 --> 00:29:17.666
which will then be used to
replicate the strategies
00:29:17.666 --> 00:29:23.583
that were being applied
in other places
00:29:23.583 --> 00:29:28.583
for the purposes of the
gay movement in Mexico.
00:29:37.666 --> 00:29:44.541
The first location that was used for the
meetings was Emma Almada's apartment.
00:29:44.541 --> 00:29:47.583
Emma Almada lived in the
streets of San Francisco,
00:29:47.583 --> 00:29:53.416
a block away from Popocatepetl
avenue, in La Colonia del Valle,
00:29:53.416 --> 00:29:56.500
and she offered her house because
she was Nancy's friend.
00:29:56.500 --> 00:30:00.958
Nancy was very acquainted with a
very well-positioned lesbian group,
00:30:00.958 --> 00:30:04.333
and Emma was sister to
the Hermanos Almada,
00:30:04.333 --> 00:30:08.875
who made Westerns, the
Mexican Chili Westerns.
00:30:08.875 --> 00:30:12.875
But she was very generous with her space.
00:30:12.875 --> 00:30:15.875
She would open the space for us and,
we would meet there every Sunday.
00:30:16.291 --> 00:30:20.208
A lot of people would go; youth and adults.
00:30:20.208 --> 00:30:23.416
Luis Prieto and Carlos Monsivais were there;
00:30:23.416 --> 00:30:26.583
actors and all sorts of people.
00:30:26.583 --> 00:30:33.000
The Liberation Front of New York
and London manuscripts were read.
00:30:33.000 --> 00:30:38.750
The movement never left these
circles of study and discussion.
00:30:40.666 --> 00:30:45.041
It never transcends to the public realm
00:30:45.041 --> 00:30:48.583
because of 2 very important events
that were heavily felt in Mexico.
00:30:48.583 --> 00:30:54.125
The first one was in 1968, and the second one
was in 1971, with the Halconazo massacre.
00:30:54.125 --> 00:31:02.458
So there was a very justified paranoia from
the most seasoned militants, the most mature,
00:31:02.458 --> 00:31:08.458
who would warns us not to come out, to not
provoke, because we could be reprimanded.
00:31:08.458 --> 00:31:13.916
And also because there were
terrible publication laws.
00:31:13.916 --> 00:31:19.458
Anything that we could publish was
promotion of vices or corruption of minors.
00:31:19.875 --> 00:31:22.833
She made herself famous at a national level
00:31:22.833 --> 00:31:26.291
because in one of Jacobo Zabludovsky's shows,
00:31:26.291 --> 00:31:30.250
they took on her sexual preference.
00:31:30.250 --> 00:31:33.958
If someone now would say that she is
lesbian, it wouldn't scare anyone,
00:31:33.958 --> 00:31:38.250
but in the 70's, saying it would
be like an atomic bomb.
00:31:38.458 --> 00:31:44.333
In the beginnings of 1974, the
Homosexual Liberation Front started,
00:31:44.333 --> 00:31:51.625
In 1975, Jacobo Zabludovsky invited her
to his show, 24 Horas, for the topic.
00:31:51.625 --> 00:31:56.166
It was a bit dangerous because
it was called "apology of a vice"
00:31:56.166 --> 00:32:01.791
if someone would say before
the camera that they were gay.
00:32:02.750 --> 00:32:06.500
>Nevertheless, Nancy dared,
and at 39 years of age,
00:32:06.500 --> 00:32:09.791
said before the cameras
and eyes of all of Mexico
00:32:09.791 --> 00:32:14.291
that she was lesbian
and that she was happy,
00:32:14.291 --> 00:32:19.791
and that women could get as far as
she had gotten, that it was possible.
00:32:20.208 --> 00:32:24.375
I knew her when she was still
going out with Tina Galindo,
00:32:24.375 --> 00:32:28.333
and it was vox populi; the whole world
knew that they were partners.
00:32:30.250 --> 00:32:34.375
And Tina was very friendly,
very fun all the time,
00:32:34.375 --> 00:32:37.500
not only in scene, but outside
the scene as well.
00:32:37.500 --> 00:32:42.416
And then, well, Nancy had
long partners, durable, stable,
00:32:44.375 --> 00:32:47.583
the complete opposite of
what people would think,
00:32:47.583 --> 00:32:50.791
that she would go out with
every women in the movement.
00:32:50.791 --> 00:32:54.791
No. She was super respectful
of her own life.
00:32:54.791 --> 00:32:58.875
The control of ethics,
her ethics to herself,
00:32:58.875 --> 00:33:02.083
and everyone else, she
was always very clear.
00:33:02.625 --> 00:33:07.083
Being in the Liberation Front's meetings,
00:33:07.083 --> 00:33:11.208
all of the sudden, one day,
she grabbed a small wire
00:33:12.208 --> 00:33:16.375
and she put it on my
finger and told me:
00:33:16.375 --> 00:33:19.083
"With this ring, I marry you".
00:33:19.083 --> 00:33:24.041
I was startled, and said:
"What? Excuse me?".
00:33:24.041 --> 00:33:29.500
Monsivais lent us his
bungalow that he had
00:33:29.500 --> 00:33:34.625
at the Casino de La Selva
Hotel in Cuernavaca,
00:33:34.625 --> 00:33:37.166
and Nancy told me: "I invite
you to eat at Cuernavaca".
00:33:37.166 --> 00:33:41.375
So we got there and ate delicious food.
00:33:41.375 --> 00:33:48.375
After that, she took my hand,
we started talking of other things
00:33:49.500 --> 00:33:51.666
and it was there that the romance arose.
00:33:51.958 --> 00:33:55.583
She maintained relationships with
her partners and ex-partners
00:33:55.583 --> 00:33:59.541
well beyond the term of
relationships properly stated.
00:33:59.541 --> 00:34:05.416
For instance, she would affectionately
call Isabel Minjares "musiquita",
00:34:05.416 --> 00:34:11.625
Nancy transition between many people,
but Isabel was always there, present.
00:34:11.625 --> 00:34:16.458
She met Emma Ceballos, a
woman who had a lot of success
00:34:16.458 --> 00:34:20.208
with some businesses she had in Yucatan,
00:34:20.208 --> 00:34:24.666
and one day she said: "Nancy,
do you want to travel to Europe
00:34:24.666 --> 00:34:27.333
or do you want me to
produce a play for you?".
00:34:27.333 --> 00:34:31.583
And Nancy had no doubt and
said: "Produce the play".
00:34:31.583 --> 00:34:35.625
Which? "The Effects of Gamma Rays
on Man-in-the-Moon Marigolds".
00:34:36.916 --> 00:34:41.041
(Music)
00:34:45.083 --> 00:34:49.208
In 1970, "The Effects of Gamma Rays
on Man-in-the-Moon Marigolds"
00:34:49.208 --> 00:34:53.250
was her first professional play,
00:34:53.250 --> 00:34:58.208
that's how she saw it, and
it had a lot of success.
00:34:58.208 --> 00:35:05.583
This is a play that falls more in line
00:35:05.583 --> 00:35:08.583
with psychological realism.
00:35:08.583 --> 00:35:17.375
Nancy organizes a very interesting line-up,
00:35:17.375 --> 00:35:21.166
spearhead by Carmen Montejo,
who is also the producer
00:35:21.166 --> 00:35:26.666
and someone who is supporting
her return to directing.
00:35:26.666 --> 00:35:30.916
The two of them study the possibility
of moving the plays they are making,
00:35:30.916 --> 00:35:33.791
for they were not their first plays,
00:35:33.791 --> 00:35:36.833
and they want these plays
to generate money
00:35:36.833 --> 00:35:39.833
and not be merely pieces of drama.
00:35:40.708 --> 00:35:47.416
Then, in 1974, Nancy makes a montage
00:35:48.500 --> 00:35:53.625
about a group of gay men called
"The Boys in the Band".
00:35:53.625 --> 00:36:02.416
This montage landed her on
the newspapers for a while
00:36:02.416 --> 00:36:11.541
because efforts were made to stop
the premiere of the play in Mexico City.
00:36:11.541 --> 00:36:17.125
And Nancy, with that activist spirit of hers,
00:36:17.125 --> 00:36:23.708
led a movement to stop censorship
and get her montage a premiere.
00:36:27.583 --> 00:36:29.916
(Music)
00:37:04.958 --> 00:37:07.833
This was very controversial because
it was the first time
00:37:07.833 --> 00:37:10.083
that the topic of gays
was spoken of in Mexico.
00:37:11.000 --> 00:37:13.916
Some politicians responded,
00:37:13.916 --> 00:37:16.625
and they did not want to
allow the play to premiere,
00:37:16.625 --> 00:37:22.416
such as Delfin Sanchez Juarez, the mayor
of the borough of Cuauhtemoc,
00:37:23.750 --> 00:37:28.416
who was a closeted gay man,
but also anti-gay.
00:37:28.416 --> 00:37:33.125
He said he did not want
the play to be allowed.
00:37:33.125 --> 00:37:38.458
Nancy gave the Mayor a strong fight.
She exposed and ridiculed him.
00:37:38.458 --> 00:37:41.041
He denied permission for the play,
but she went to another borough,
00:37:41.041 --> 00:37:42.833
borough of Benito Juarez,
00:37:42.833 --> 00:37:47.250
where she held the play
at Insurgentes Theater.
00:37:47.250 --> 00:37:50.333
Officials from Mexico City,
with police and everything,
00:37:50.333 --> 00:37:53.375
went to close that theater.
00:37:53.375 --> 00:37:56.291
And she always showed
a lot of gratitude for that.
00:37:56.291 --> 00:38:03.708
It's like she got a lot of publicity
from the media for this censorship.
00:38:03.708 --> 00:38:07.250
She would say: ”Thanks to this, I was able
to buy my house in Cuernavaca".
00:38:07.250 --> 00:38:10.541
"Thanks to the Mexico City's
government banning my play".
00:38:10.541 --> 00:38:15.958
The people's fascination for the play,
you know, it filled the theaters.
00:38:16.166 --> 00:38:21.333
"The Boys in the Band" was also transcendent
because it was the first play
00:38:21.333 --> 00:38:27.041
that spoke freely about the
existence of homosexuals,
00:38:27.041 --> 00:38:30.041
who were part of everyday life,
00:38:30.041 --> 00:38:33.875
and of them living a life just
like any other human being.
00:38:33.875 --> 00:38:35.458
They were not different.
00:38:35.458 --> 00:38:38.333
We are talking about the 70's,
00:38:38.333 --> 00:38:44.750
a moment in time where attitudes
against homosexuality were very severe,
00:38:44.750 --> 00:38:50.583
where there was no liberty, and a series
of controversies were occurring
00:38:50.583 --> 00:38:57.583
like in other parts of the world where
homosexuality was treated as an illness,
00:38:57.583 --> 00:39:01.500
as something that could be
cured or grown out of.
00:39:01.500 --> 00:39:06.375
In this context, "The Boys in the Band"
contributed to the discourse
00:39:06.375 --> 00:39:11.041
against this close-minded thinking.
00:39:11.541 --> 00:39:14.708
Nancy had many problems coming
from death threats.
00:39:14.708 --> 00:39:18.000
Her car was scratched and
her tires were punctured.
00:39:18.000 --> 00:39:21.458
And she would get threats
in her house in Insurgentes,
00:39:21.458 --> 00:39:27.583
at the Guadalupe Inn, near Insurgentes,
on a nearby street, at her condominium.
00:39:27.583 --> 00:39:33.666
Her car would be vandalized by morning.
00:39:33.666 --> 00:39:37.833
In other words, homophobia was very bad,
and lesbophobia was even worse,
00:39:37.833 --> 00:39:43.833
because she was a woman…
a woman, and lesbian who was speaking,
00:39:43.833 --> 00:39:48.750
and she was producing plays
and bringing scholarship material.
00:39:48.750 --> 00:39:51.791
We had some terrible experiences.
00:39:51.791 --> 00:39:58.625
For example, we never knew why someone
unscrewed the wheels off of her Mustang
00:39:58.625 --> 00:40:03.250
on one occasion when we were
about to get into the highway.
00:40:03.250 --> 00:40:08.125
Suddenly, the tire almost came off and,
if it did, it would have been the end,
00:40:08.125 --> 00:40:10.416
but it did not happen.
00:40:10.416 --> 00:40:16.041
Luckily, we noticed the tire
was missing some screws.
00:40:16.041 --> 00:40:20.458
Things like that happened. She would
say: "Someone wants to kill me".
00:40:22.208 --> 00:40:26.333
She was not paranoid, but her car wheels
were actually missing screws.
00:40:28.708 --> 00:40:32.500
She did have enough enemies
to have that thought.
00:40:32.875 --> 00:40:38.083
There is a play that’s hardly talked about
called "El Marques de Sade",
00:40:39.625 --> 00:40:44.083
and it is a great monologue
with Regina Torné,
00:40:44.083 --> 00:40:46.250
who acts as the Marques of Sade.
00:40:46.250 --> 00:40:48.458
It was directed by Nancy,
00:40:48.458 --> 00:40:52.250
and it was on for a very short time
because it was censured.
00:40:52.250 --> 00:40:57.250
Then things didn’t go well for Regina Torné
and she needed to exit the country.
00:40:57.250 --> 00:41:01.625
She started receiving death threats
and was stalked a lot.
00:41:01.625 --> 00:41:04.916
She exited Televisa and was
kicked out from films.
00:41:04.916 --> 00:41:06.750
She suffered a lot.
00:41:06.750 --> 00:41:10.291
In other words, these women
who dared to do things,
00:41:10.291 --> 00:41:12.583
who are a little older than I am,
00:41:13.833 --> 00:41:15.208
had bad experiences.
00:41:15.208 --> 00:41:18.208
But not so much for Nancy.
She would say:
00:41:18.208 --> 00:41:21.458
"Well, this can happen but
I will not let it bring me down".
00:41:21.458 --> 00:41:28.291
"Breaking my car's tires or breaking my
windshield will does not ruin my day".
00:41:28.291 --> 00:41:30.041
It was very aggressive, really.
00:41:30.041 --> 00:41:38.958
You needed certain coherence and maturity
to not retaliate with violence.
00:41:39.041 --> 00:41:41.958
She was physically harassed
00:41:41.958 --> 00:41:44.500
at the feminist congress of 1975,
00:41:44.500 --> 00:41:47.291
where some women who were
PRI supporters launched at her,
00:41:47.291 --> 00:41:49.333
but, luckily, did not strike her.
00:41:49.333 --> 00:41:56.666
But they did push her for she was
known as a lesbian feminist,
00:41:56.666 --> 00:41:59.833
and these were the spaces
where she could speak.
00:42:00.458 --> 00:42:05.250
For the first time, there was a session
00:42:05.250 --> 00:42:11.000
within the International Women's Year
for homosexual groups
00:42:11.875 --> 00:42:14.750
at the Social Security Convention Center.
00:42:15.583 --> 00:42:17.916
There were 4 women:
00:42:17.916 --> 00:42:21.625
an Australian, an Englishwoman,
an American, and Nancy.
00:42:23.250 --> 00:42:27.416
Then they took away the venue
and only gave us 45 minutes.
00:42:28.000 --> 00:42:30.208
Many people attended...
00:42:31.333 --> 00:42:35.416
and there were presentations.
00:42:35.416 --> 00:42:39.958
The presenters made very important points
about what was going on in other places.
00:42:39.958 --> 00:42:42.541
They spoke of Mexico, about
how it was in a state of infancy.
00:42:46.000 --> 00:42:49.041
(Music)
00:43:10.083 --> 00:43:13.875
It is very important to mention that
Nancy Cardenas was the first woman,
00:43:14.625 --> 00:43:18.708
in the Americas, surely...
00:43:19.208 --> 00:43:24.291
who stood up in the International
Women's Year and said:
00:43:24.291 --> 00:43:31.458
"I am lesbian, and there are no rights here
for women who love other women".
00:43:32.125 --> 00:43:37.125
There was absolute silence and nobody
said anything for or against that.
00:43:37.125 --> 00:43:39.416
I think it was powerful to hear her there,
00:43:39.416 --> 00:43:46.500
where the majority of feminists
in the world were gathered.
00:43:47.291 --> 00:43:53.625
There was a lot of commotion at the exit.
Women were being carried out,
00:43:55.000 --> 00:43:57.750
women in aprons,
00:43:57.750 --> 00:44:01.333
who would come from their homes
or from their work at the market,
00:44:01.333 --> 00:44:04.875
carrying signs that said:
00:44:04.875 --> 00:44:12.083
"Death to lesbians", "Leave Mexico Nancy
Cardenas", and things of that sort.
00:44:13.041 --> 00:44:16.791
From there, we went to eat.
00:44:16.791 --> 00:44:20.291
And on the weekend Nancy
invited these people
00:44:20.291 --> 00:44:25.333
and a large group of feminists
to her house in Cuernavaca.
00:44:27.000 --> 00:44:29.583
Her house was filled with women.
00:44:29.583 --> 00:44:33.291
There was a big feast, and
we prepared coffee ice-cream.
00:44:33.291 --> 00:44:39.750
We added too much coffee so
we ended up having a lot of fun,
00:44:39.750 --> 00:44:44.416
and feeling jittery and happy as can be.
00:44:44.416 --> 00:44:49.083
We placed a microphone and
speakers at the garden,
00:44:49.083 --> 00:44:53.000
and we continued the meeting
that was not finished
00:44:53.000 --> 00:44:55.208
given how little time we were
given at the convention.
00:44:55.208 --> 00:44:59.583
We did speak about many topics, the
whole afternoon and up to the evening,
00:44:59.583 --> 00:45:02.041
and it was unforgettable.
00:45:02.041 --> 00:45:06.541
I was involved in the
feminist movement in Mexico,
00:45:06.541 --> 00:45:10.125
where there was a significant rift.
00:45:10.125 --> 00:45:15.416
It was the first feminist movement
that split into two groups.
00:45:15.416 --> 00:45:21.666
Heterosexual feminist women
would say that lesbian feminists
00:45:21.666 --> 00:45:26.750
should not identify themselves
within Mexican feminism,
00:45:26.750 --> 00:45:33.375
and specially not in public, because
this would confuse the public,
00:45:33.375 --> 00:45:38.916
who would associate all
feminists as being lesbians.
00:45:38.916 --> 00:45:44.458
So this caused a big divide.
We were about half of them.
00:45:44.458 --> 00:45:47.291
So we left.
00:45:47.291 --> 00:45:51.708
Thanks to this, we organized meetings
00:45:51.708 --> 00:45:56.500
with the heterosexual, bisexual
and lesbian feminists.
00:45:56.500 --> 00:46:02.500
Nancy Cardenas approached us and
lent us her house in Cuernavaca.
00:46:03.041 --> 00:46:07.208
So we organized these big
meetings in Cuernavaca
00:46:07.208 --> 00:46:11.833
among the different feminist groups,
00:46:11.833 --> 00:46:16.458
The heterosexual, lesbian and
bisexual feminist movements,
00:46:16.458 --> 00:46:18.500
all at her house, in the garden.
00:46:18.500 --> 00:46:22.958
This was cohabitation because we ate
breakfast, lunch and dinner together.
00:46:22.958 --> 00:46:27.625
She had a swimming pool at
her house. It was very nice.
00:46:27.625 --> 00:46:31.166
Chavela Vargas was her
neighbor, in Cuernavaca,
00:46:31.166 --> 00:46:35.583
and should would come play and
sing for us in the afternoons.
00:46:35.583 --> 00:46:42.041
But Chavela did not participate
in the liberation groups, ever.
00:46:42.041 --> 00:46:45.250
But she did join the
parties and reunions,
00:46:45.250 --> 00:46:47.666
that would turn into
parties in that house,
00:46:47.666 --> 00:46:50.458
in Nancy's house in Cuernavaca.
00:46:50.458 --> 00:46:55.208
I think that she would hear the music
and then come with her guitar,
00:46:55.208 --> 00:47:02.500
Everyone was emphatic to listen to
Chavela sing at that house at night.
00:47:02.500 --> 00:47:06.916
She wrote a song called "Ahuatepec",
00:47:06.916 --> 00:47:11.416
where she remembers those
reunions and experiences.
00:47:11.416 --> 00:47:17.208
I remember meeting Chavela Vargas
through Nancy, who took us to "El Safari".
00:47:17.208 --> 00:47:22.416
"Come, come, Chavela, Chavela".
Binging with Chavela was something else.
00:47:22.416 --> 00:47:26.583
The bar was called "El Safari".
00:47:28.125 --> 00:47:33.416
At the time, the first few lines
were filled with all lesbians.
00:47:33.416 --> 00:47:37.041
"The generals" is what they called
themselves, or "the truckers".
00:47:37.041 --> 00:47:40.791
"Out of my way. Here I come
with my screws and oil".
00:47:40.791 --> 00:47:45.250
They would joke around on
the topic of strength.
00:47:45.250 --> 00:47:52.083
Chavela's exchange during
the musical dialogue
00:47:52.083 --> 00:47:55.541
with an audience eager to listen
to her was very interesting.
00:47:56.208 --> 00:48:02.166
What happened there? Well, gender
roles were still being followed.
00:48:02.166 --> 00:48:04.666
This is important to note.
00:48:04.666 --> 00:48:08.875
For example, if you were lesbian,
you had to say: "I will be like a man",
00:48:08.875 --> 00:48:10.625
or "I will be like a woman”.
00:48:10.625 --> 00:48:15.583
So you had very masculine
women. This was the role.
00:48:16.375 --> 00:48:20.750
There was an expectation that if you
were a woman attracted to women,
00:48:20.750 --> 00:48:24.291
you would dress like a man
and act like a man.
00:48:24.291 --> 00:48:31.166
So there were groups of women dressed
like men, with pant suits,
00:48:31.166 --> 00:48:37.000
ties, jeans, and plaid shirts, which are
fashionable nowadays, short hair,
00:48:37.000 --> 00:48:39.333
and they would use masculine adjectives
and nouns among each other.
00:48:39.333 --> 00:48:42.541
And there were women who would use
feminine adjectives and nouns
00:48:42.541 --> 00:48:44.166
among each other, and acted very feminine.
00:48:44.166 --> 00:48:47.375
There were a lot of these gender roles.
00:48:47.375 --> 00:48:54.000
This was a topic of discussion in
the study and reflection groups.
00:48:54.458 --> 00:48:59.458
Nancy and Chavela met when
Nancy was very young.
00:48:59.458 --> 00:49:01.291
She was a good friend of Emma Ceballos,
00:49:01.291 --> 00:49:03.958
and Emma Ceballos was
a very good friend of Chavela.
00:49:04.791 --> 00:49:07.666
Chavela was not that famous yet,
00:49:07.666 --> 00:49:09.750
but she was already singing
at some locations
00:49:09.750 --> 00:49:12.500
wearing her embroidered blouse,
00:49:12.500 --> 00:49:18.458
sitting on the floor,
with a bottle or cup,
00:49:18.458 --> 00:49:23.375
she would first take a drink of whisky,
then tequila, and anything else,
00:49:23.375 --> 00:49:26.958
holding her guitar and wearing her poncho.
00:49:27.916 --> 00:49:33.416
Nancy and Emma would go watch her
and they became good friends.
00:49:33.416 --> 00:49:38.750
And that is how we went to buy the house,
and I say we because I went with her,
00:49:38.750 --> 00:49:45.208
to that neighborhood in Ahuatepec,
Morelos, next to Cuernavaca.
00:49:45.208 --> 00:49:50.500
Chavela lived there in a huge house
that had many beautiful hallways,
00:49:50.500 --> 00:49:52.500
and they were always together.
00:49:53.166 --> 00:49:58.000
In one of those tequila moments,
00:49:59.583 --> 00:50:04.416
Chavela was very nice but her personality
would change during her alcoholic phase,
00:50:06.916 --> 00:50:13.708
So, as Chavela would say,
nothing could stop her.
00:50:13.708 --> 00:50:17.750
I did not go to Chavela's house
on this occasion.
00:50:17.750 --> 00:50:22.208
It was really a ladies' reunion.
00:50:23.250 --> 00:50:27.833
They drank some tequila,
talked, and everything,
00:50:27.833 --> 00:50:30.416
and something bothered Chavela,
00:50:30.416 --> 00:50:36.875
who in that moment began to speak
a little more aggressively and intensely.
00:50:36.875 --> 00:50:40.333
As an enemy of violence, Nancy said:
00:50:40.333 --> 00:50:44.208
"You know what, if you don't
act nice, we will leave",
00:50:45.416 --> 00:50:47.208
And they left.
00:50:47.208 --> 00:50:51.458
So at night Chavela goes outside Nancy's
house and begins firing her gun.
00:50:51.458 --> 00:50:55.125
"What'd you say", and "Come out you b***",
boom, boom, boom.
00:50:55.125 --> 00:50:57.041
I said: "Wait here aunt,
I'll go check what's going on".
00:50:57.041 --> 00:51:01.916
"No, no, no, she is crazy, it's Chavela,
why would you, and then you... no".
00:51:02.791 --> 00:51:05.458
So there was Chavela, swearing and shooting,
00:51:05.458 --> 00:51:08.375
I think she fired the 6 or 7 bullets,
00:51:09.375 --> 00:51:11.375
and then left, still mad.
00:51:12.958 --> 00:51:14.666
And the next day,
00:51:15.333 --> 00:51:20.666
Chavela came very lovely,
as if nothing had happened.
00:51:22.666 --> 00:51:24.458
(Music)
00:51:29.833 --> 00:51:34.958
I saw her being strong in the fight
against the politicians,
00:51:34.958 --> 00:51:39.666
as she was fighting to get
"The Boys in the Band" played,
00:51:39.666 --> 00:51:45.791
and also during the protests
where she would yell "liberty",
00:51:45.791 --> 00:51:52.375
and running to get into a car
before the grenadiers arrived,
00:51:52.375 --> 00:52:01.625
and fighting rigorously for gay rights
against any type of person.
00:52:01.625 --> 00:52:07.083
But in intimate circles, with actors
and with her family,
00:52:07.083 --> 00:52:10.416
she was a very sweet person.
00:52:12.833 --> 00:52:18.500
Nancy was a woman with
a lot of romantic admirers,
00:52:18.500 --> 00:52:23.500
she was always surrounded by women.
00:52:23.500 --> 00:52:26.291
She would say she had many girlfriends.
00:52:26.875 --> 00:52:31.208
She was physically a very beautiful woman.
00:52:31.750 --> 00:52:37.458
And I also think that intelligence is
a seductive quality on people.
00:52:37.458 --> 00:52:41.875
Nancy was a very seductive
woman in that sense.
00:52:41.875 --> 00:52:47.458
Well, seeing her meant witnessing
the spectacle of her intelligence.
00:52:48.208 --> 00:52:49.541
In my times,
00:52:49.541 --> 00:52:52.333
she would receive a large amount of
people who would come looking for her,
00:52:52.333 --> 00:52:57.333
women of all kinds, married women
looking for an experience,
00:52:57.333 --> 00:53:04.208
young women who already knew
about her from tv and her writings.
00:53:04.208 --> 00:53:07.625
They would come to the
theater and cry for her.
00:53:07.625 --> 00:53:11.625
One of them was called "Little tears"
because she would come and cry for her.
00:53:11.833 --> 00:53:19.333
Physically very attractive, and
on top of that, intelligent.
00:53:19.958 --> 00:53:25.416
Like flies on honey, they would
surround and follow her,
00:53:25.416 --> 00:53:30.166
but she was selective, she did not
go out with anybody.
00:53:30.416 --> 00:53:34.041
She was a woman who was very loved,
00:53:34.625 --> 00:53:42.000
but who had heartbreaks.
00:53:42.000 --> 00:53:44.708
It’s hard for me to say this,
00:53:44.708 --> 00:53:53.708
because she was a woman who that
did not let others bring her down.
00:53:53.708 --> 00:53:56.833
Maybe she did suffer, but she
would get back on her feet.
00:53:56.833 --> 00:54:00.791
Her health was good up to a certain point.
00:54:00.791 --> 00:54:04.750
Well, I saw her in good health.
00:54:04.750 --> 00:54:09.041
She had a substantial capacity
for work with a lot of endurance.
00:54:10.333 --> 00:54:14.083
But, suddenly, when we stopped
seeing each other,
00:54:15.833 --> 00:54:18.541
an actress came who was her partner,
00:54:18.541 --> 00:54:25.666
and in that time period a tumor
appeared in her breast.
00:54:25.666 --> 00:54:32.500
When I diagnosed her with lumps
00:54:32.500 --> 00:54:38.750
in her breast and armpit,
00:54:38.750 --> 00:54:46.958
"This is something where you need a doctor
to determine whether it is cancer".
00:54:46.958 --> 00:54:52.541
It ended up being cancer.
00:54:52.541 --> 00:54:59.833
And she was told she needed
surgery in both breasts,
00:54:59.833 --> 00:55:02.250
and that she only had a year to live.
00:55:02.541 --> 00:55:07.625
She went to the United States
with a renown doctor.
00:55:08.583 --> 00:55:13.291
He performed a surgery that did not
require removing the breasts.
00:55:13.291 --> 00:55:15.666
Instead, he only extracted the tumor.
00:55:15.666 --> 00:55:19.416
This was a vanguard procedure
done in a hospital in Boston.
00:55:20.083 --> 00:55:27.041
Nancy took good care of herself.
She was very healthy and ate well.
00:55:27.041 --> 00:55:30.250
She really took care of herself.
00:55:30.250 --> 00:55:38.125
In one of those medical check-ups,
she was informed of having breast cancer.
00:55:39.625 --> 00:55:44.416
She studies the possibilities
she had in Mexico,
00:55:44.416 --> 00:55:49.791
but there was a group of
Americans who invited her
00:55:49.791 --> 00:55:55.541
to undergo alternative medicine.
00:55:55.541 --> 00:56:01.291
So she went to the United States
feeling very excited,
00:56:01.291 --> 00:56:06.708
because she did not have to undergo surgery,
mastectomy or chemotherapy.
00:56:06.708 --> 00:56:18.375
I think this was a mistake because...
the cancer followed its course.
00:56:18.375 --> 00:56:23.750
Well, she thought she had
already beat the cancer.
00:56:24.833 --> 00:56:30.833
She even went on to tell me:
00:56:30.833 --> 00:56:36.166
"You have more cancer than I do
because I am already cured from it".
00:56:36.166 --> 00:56:44.625
I would just say yes, because I could not
argue with her or tell her anything.
00:56:44.916 --> 00:56:50.541
12 years passed in which the doctor
gave her bad information.
00:56:50.541 --> 00:56:51.958
Towards the end, he told her:
00:56:51.958 --> 00:56:56.125
"You do not need to come for your
check-ups. You are perfectly fine".
00:56:56.125 --> 00:56:59.416
She listened to him.
00:56:59.416 --> 00:57:02.791
But then Nancy found out that
the same problem had returned.
00:57:02.791 --> 00:57:06.125
I remember Nancy let my mother
and I borrow her car,
00:57:06.125 --> 00:57:09.375
and we went to Puebla
to a cousin's wedding,
00:57:09.375 --> 00:57:12.000
and taking advantage of this chance,
I gathered all of my uncles and aunts,
00:57:12.000 --> 00:57:15.208
and they all sat on a table
and I said to them:
00:57:15.208 --> 00:57:20.333
"You know what, my aunt doesn't want
to tell you this, that she is not well.
00:57:20.333 --> 00:57:21.375
Nancy is not feeling well.
00:57:21.375 --> 00:57:26.208
I've been with her for 3 or 4 months
and she has lost weight every month,
00:57:26.208 --> 00:57:29.875
and she had a serious back problem
that requires therapy;
00:57:29.875 --> 00:57:35.583
however, it's only massage therapy
so I don't think it's really helping her.
00:57:35.583 --> 00:57:41.541
Now is when I think she really
needs everyone's support".
00:57:41.958 --> 00:57:46.916
We had some friends that helped us admit
her to the National Nutrition Institute.
00:57:46.916 --> 00:57:52.791
I had been staying in Oaxaca at the end
of the year on that occasion.
00:57:52.791 --> 00:57:58.625
When I returned on January 1st,
I asked her:
00:57:58.625 --> 00:58:01.791
"Aunt, what did the lab tests show?".
00:58:01.791 --> 00:58:05.083
She told me: "I have good news
and bad news for you".
00:58:05.083 --> 00:58:08.875
I say: "Ok, tell me". She says: "Which?
The good or the bad?".
00:58:08.875 --> 00:58:12.875
"Give me the bad one first", I said.
00:58:12.875 --> 00:58:17.333
So she says: "I have cancer
and I am going to die".
00:58:17.333 --> 00:58:21.166
Oh...
00:58:21.166 --> 00:58:26.541
"What is the good news?".
After getting the bad news, right?
00:58:26.541 --> 00:58:33.916
She told me: "The Zapatista Movement
has taken over and this country must change”.
00:58:34.291 --> 00:58:40.208
At the time, Dr. Kumate was
the Secretary of Health.
00:58:40.208 --> 00:58:44.750
I think Lily or someone in the family
had sent him a letter to inform him
00:58:44.750 --> 00:58:47.541
about Nancy's complicated state
and what she was going through.
00:58:47.541 --> 00:58:49.500
When he found out,
00:58:49.500 --> 00:58:53.708
he sent a letter to the director of the
National Nutrition Institute saying:
00:58:53.708 --> 00:58:57.916
"Ms. Nancy Cardenas is a prominent
figure in our country's literature.
00:58:57.916 --> 00:59:01.958
She has done things that no other
woman had dared to do.
00:59:01.958 --> 00:59:05.791
I would like you to please give her
the best treatment you can provide
00:59:05.791 --> 00:59:08.375
free of all costs,
00:59:08.375 --> 00:59:11.333
and that she be treated until you
reach the core of the problem",
00:59:11.333 --> 00:59:13.583
is basically what he said.
00:59:13.875 --> 00:59:17.125
I think she gave it her
all against cancer,
00:59:17.125 --> 00:59:22.625
being so strong, honest,
brave and so hedonistic,
00:59:22.625 --> 00:59:28.208
in the sense of loving life,
the senses, and what she did,
00:59:28.208 --> 00:59:31.750
loving her groups, and theater...
00:59:33.208 --> 00:59:36.875
This made her very strong, very kind.
00:59:36.875 --> 00:59:39.458
She was a very sweet woman.
00:59:39.958 --> 00:59:45.375
We were at her house when
she was already very sick.
00:59:45.375 --> 00:59:53.416
She chose to welcome her
past lovers every Thursday.
00:59:53.416 --> 00:59:58.208
So, they would all come
very excited to see her.
00:59:58.208 --> 01:00:04.333
She always kept a good sense of humor
and spoke and talked with intelligence.
01:00:04.958 --> 01:00:12.500
When she entered into a coma state,
I did not leave her side.
01:00:18.625 --> 01:00:23.583
We were following to the cancer's progression
from one day to the next,
01:00:23.583 --> 01:00:27.125
as it became worse.
01:00:27.875 --> 01:00:32.125
Later she had someone
who took care of her.
01:00:32.125 --> 01:00:36.375
That person called me one day
and said: "She has passed away".
01:00:36.375 --> 01:00:40.416
We took her to the Gayosso
funeral home.
01:00:40.416 --> 01:00:43.791
Everyone who loved her was there.
01:00:43.791 --> 01:00:46.708
We found out of her death on the day of.
01:00:46.708 --> 01:00:50.916
There had been three other
deaths that same day.
01:00:50.916 --> 01:00:57.458
We had a colleague with AIDS who
we were helping, and he died that day.
01:00:57.458 --> 01:01:00.125
Nancy died and Colosio is assassinated.
01:01:01.041 --> 01:01:03.708
It was such a tragedy that Colosio's death
01:01:03.708 --> 01:01:06.666
happened on the same day as Nancy's,
01:01:06.666 --> 01:01:10.458
because the whole world
>focused on Colosio's death
01:01:10.458 --> 01:01:16.583
and Nancy's basically went unnoticed.
01:01:18.250 --> 01:01:22.000
(Music)
01:02:02.625 --> 01:02:07.041
The city was empty, and there was
a very tense atmosphere.
01:02:07.041 --> 01:02:12.791
There was a very harsh policy in
Mexico at the time, one of terror.
01:02:12.791 --> 01:02:16.500
Journalists were getting killed.
People were getting killed.
01:02:16.500 --> 01:02:20.000
Well, not much has changed,
almost nothing,
01:02:20.000 --> 01:02:21.583
or it may even be worse
now, I don't know.
01:02:21.583 --> 01:02:25.375
But there was a deep silence for
Nancy Cardenas' death,
01:02:25.375 --> 01:02:27.291
which we really felt.
01:02:27.666 --> 01:02:29.291
I thought there would be a lot of people.
01:02:29.291 --> 01:02:32.833
There was a lot, but not as
much as I had expected.
01:02:32.833 --> 01:02:35.333
There were a lot of cultured
people, of course.
01:02:35.333 --> 01:02:40.416
Some from the Communist Party, from
the university, from the movement.
01:02:40.583 --> 01:02:45.583
I actually learned about her death
much later, not on the day it happened.
01:02:45.583 --> 01:02:50.916
And I felt very heartbroken because,
01:02:50.916 --> 01:02:53.833
if I am not mistaken,
01:02:53.833 --> 01:03:01.166
this was the first colleague in theater
and from the University that died.
01:03:01.166 --> 01:03:06.000
I now see it as a premature death.
01:03:06.375 --> 01:03:10.333
It was very strange to not see her
family, but we never saw them.
01:03:10.333 --> 01:03:13.416
So it wasn't strange that
they were not present.
01:03:13.416 --> 01:03:17.000
I don’t know if they came
later. They probably did.
01:03:17.000 --> 01:03:19.000
And they probably also
made it to the burial.
01:03:19.000 --> 01:03:23.166
We didn’t go to it because
we weren't told where it was.
01:03:23.166 --> 01:03:26.583
It seemed like they did not
want a lot of people to go.
01:03:26.708 --> 01:03:29.291
Throughout the whole route to the crematory
01:03:29.291 --> 01:03:33.041
we saw a lot of people
01:03:33.041 --> 01:03:37.708
because they were headed to see
Luis Donaldo Colosio in that direction.
01:03:37.708 --> 01:03:43.291
So all of them would clap at us
thinking it was for Luis Donaldo.
01:03:45.083 --> 01:03:47.208
(Wind sound)
01:03:55.333 --> 01:04:00.583
Nancy wanted her ashes
to be spread in Parras,
01:04:00.583 --> 01:04:06.208
the place that she loved, her roots,
where she grew up as a child.
01:04:06.208 --> 01:04:11.416
Part of the ashes were spread on La Nogalera,
where there were a lot of walnut trees,
01:04:11.416 --> 01:04:16.000
and the other part was in Santo Madero.
01:04:21.708 --> 01:04:24.125
(Wind sound)
01:04:39.250 --> 01:04:43.416
Her house is still there in Cuernavaca,
and it's going to be, I don’t know,
01:04:43.416 --> 01:04:48.833
that property belongs to one of
the cousins who inherited it.
01:04:48.833 --> 01:04:53.416
We know this because Nancy
told all of us publicly.
01:04:53.416 --> 01:04:57.625
She said she was going to give away
all her belongings to the movement,
01:04:57.625 --> 01:05:02.458
specially her house, so that
the meetings could continue.
01:05:02.458 --> 01:05:10.458
We are waiting for her nephew to find
the work of her third poetry book
01:05:10.458 --> 01:05:13.041
that she wrote with Beatriz Bueno.
01:05:13.041 --> 01:05:19.750
Nancy, from her bed, in the
last days she had left of life,
01:05:19.750 --> 01:05:26.958
decided to write the last poems of the book
titled "Notebook of Love and Disgust",
01:05:26.958 --> 01:05:30.083
which should be the third book.
01:05:30.083 --> 01:05:37.333
But it hasn’t been released yet
because of the missing papers
01:05:37.333 --> 01:05:41.791
somewhere in the house
that she used to live in.
01:05:45.333 --> 01:05:50.166
(Music)
01:05:59.291 --> 01:06:03.958
Brave, intelligent, talented, and
with a good sense of humor,
01:06:03.958 --> 01:06:09.375
you were not perfect, but you were always
a leader through your circumstances.
01:06:15.041 --> 01:06:22.458
In the fight against intolerance, illegality,
dehumanization and ignorance,
01:06:22.458 --> 01:06:27.125
despite the obstacles, strives
have been made in your causes.
01:06:27.125 --> 01:06:33.958
You would have considered this the
best way to seek personal continuity.
Distributor: Pragda Films
Length: 68 minutes
Date: 2021
Genre: Expository
Language: Spanish
Grade: Middle School, High School, College, Adult
Color/BW:
Closed Captioning: Available
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